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Early_Keyboard_Music_Oesterle_Louis_1.pdf
Vol. I — Table of Contents
WILLIAM BYRDE (1538?-1623)
Pavana: The
Earle of Salisbury ............................... 2
Galiardo
.............................................. 3
Victoria
.................................................. 4
Galiardo
.............................................. 6
Preludium
............................................ 8
The Carman’s Whistle
.................... 10
Sellenger’s Round ............................. 14
JOHN BULL (1563-1628)
Pavana: St. Thomas Wake .................. 18
The King’s Hunting Jigg ................... 21
Galiardo I, II, III
................................. 24
Courante: Jewel
................................... 31
ORLANDO GIBBONS (1583-1625)
Preludium .......................................... 34
Galiardo
.............................................. 36
The Lord of Salisbury his
Pavin ......................... 39
Galiardo
.............................................. 41
The Queenes Command
.................. 44
Fantazia of Four Parts ...................... 46
GIROLAMO FRESCOBALDI (1583-1644)
Gagliarda
........................................... 50
Corrente
............................................. 51
La Frescobalda
................................. 52
Corrente e Canzona
......................... 55
Fuga
..................................................... 59
JOHANN JACOB
FROBERGER (1605-1667)
Toccata in A minor ............................ 63
Toccata in D minor ............................ 67
HENRI DUMONT
(1610-1684)
Allemande ............................................. 70
JACQUES CHAMPION DE CHAMBONNIERES (1620-1670)
Canaris (Gigue)
.................................... 73
Sarabande
........................................... 74
L’entretien des Dieux (Pavane)
....................... 75
La Rare: Allemande ............................ 77
Courante ............................................ 78
Sarabande
........................................... 78
La Loureuse
........................................ 79
Gaillarde
............................................. 80
PADRE MICHAEL ANGELO
ROSSI (1620-1660)
Andantino and Allegro ........................ 81
JOHANN CASPAR KERLL (1627-1693)
Toccata (Tutta de Solti)
...................... 85
JEAN-HENRI D’ANGLEBERT (1628-1691)
Chaconne
............................................. 89
LOUIS COUPERIN
(1630-1665)
Sarabande (Canon) ............................. 94
Chaconne
............................................. 96
JEAN BAPTISTE LULLY
(1633-1687)
Air Tendre ............................................ 99
Courante ............................................. 101
Allemande,
Sarabande et Gigue ........................ 105
DIETRICH BUXTEHUDE
(1637-1707)
Canzonetta .......................................... 111
BERNARDO PASQUINI (1637-1710)
Sonata
................................................... 118
JOHN BLOW
(1648-1708)
Chacone ............................................... 118
Ground ................................................. 122
Almand I, II
......................................... 125
Prelude
................................................ 128
Courante
............................................ 129
Fugue
................................................... 130
JOHANN PACHELBEL
(1653-1706)
Fughetta .............................................. 131
Fuga ...................................................... 132
Ciaconna
............................................ 135
HENRY PURCELL
(1658-1695)
Suite I, in G major ........................... 140
Suite II,
in G minor .......................... 143
Suite III, in G major
......................... 153
Suite IV, in A minor ..........................
157
Suite V, in C major ........................... 160
Suite VI, in D
major ......................... 168
Suite VII, in D minor
........................ 170
Suite VIII, in F major .......................
173
Almand ................................................ 176
ALESSANDRO SCARLATTI (1659-1725)
Fuga
...................................................... 177
JEAN BAPTISTE
LOILLET (1660?-1728)
Suite
.................................................... 181
JOHANN KUHNAU
(1667-1722)
Suite III .............................................. 191
Senate II .............................................. 197
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Early_Keyboard_Music_Oesterle_Louis_2.pdf
Vol. II —
Table of Contents
FRANCOIS COUPERIN (1668-1733)
Les Papillons
...................................... 1
Rondeau: Le Reveille-Matin
................................ 3
Rondeau: La Bandoline
..................... 6
Le Bavolet Flottant ............................ 9
Le Carillon de Cythere .................... 12
Les Petits Moulins & Vent
................................... 16
Soeur Monique
................................ 18
Les Moissonneurs
.............................. 22
Les Bergeries
...................................... 24
La Bersan
......................................... 27
Rondeau: Les Barricades
Mysterieuses ........... 29
Les Rozeaux .....................................
33
L’Engageante ................................... 35
Suite in C
minor:
Allemande (La Tentebreuse) .............................. 37
Courante ......................................... 39
Sarabande (La Lugubre)
.................................... 40
Gavotte
.............................................. 41
Chaconne-Rondeau (La
Favorite) .................... 42
Suite in G minor:
Allemande
(L'Auguste) ..................... 47
Courante I
......................................... 49
Courante II
........................................ 50
Sarabande (La Majestueuse)
........................... 51
Gavotte
.............................................. 52
Gigue (La Milordine)
....................... 53
La Fleurie, ou La tendre Nanette
.................... 55
FRANZ XAVER MURSCHHAUSER (1670-1733)
Aria
Pastoralis Variata .................... 57
JOHANN MATTHESON (1681-1722)
Gigue I, in D minor ........................ 62
Gigue II, in G minor
....................... 64
Gigue III, in B♭ minor .................... 65
Gigue IV, in E minor ....................... 67
Suite V:
Fantasia
........................................... 69
Allemande
....................................... 70
Double
.............................................. 71
Courante
.......................................... 72
Air
..................................... 73
Double I
.............................................. 74
Double II
............................................ 75
Menuett
.............................................. 76
Suite II:
Allemande,
Courante et Gigue .......................... 77
Suite XII:
Sarabande
mit drei Variationen ....................... 81
GOTTLIEB MUFFAT
(1688-1770)
Suite:
Fantasie ........................................... 83
Fuga a quattro ................................ 85
Allemande
....................................... 88
Courante
........................................... 90
Sarabande
......................................... 92
La Hardiesse
................................... 93
Menuett I
........................................... 96
Menuett II
.......................................... 97
Air
..................................... 98
Hornpipe
........................................... 100
Gigue
.................................................. 102
Courante
........................................... 104
Allegro Spiritoso
............................. 106
Gigue
.................................................. 110
Fuge
.................................................... 113
DOMENICO
SCARLATTI (1683-1757)
Studio, in G ..................................... 115
Studio, in G ..................................... 117
Studio, in G minor
......................... 120
Toccata
................................................. 122
Scherzo
................................................ 126
Gigue
................................................... 128
Tempo di Ballo
................................. 132
Larghetto
............................................ 134
Pastorale
........................................... 136
Cat’s Fugue
......................................... 138
Fugue
................................................... 142
Sonata, in A
....................................... 146
Sonata, in F
........................................ 150
Sonata, in C
....................................... 153
Sonata, in C minor
........................... 155
Minuetto
............................................... 157
Siciliana
................................................ 161
JEAN-PHILIPPE RAMEAU
(1683-1764)
Gigue en Rondeau ............................. 163
Le Rappel
des Oiseaux .................... 165
1er Rigaudon
...................................... 168
2ème Rigaudon
................................. 168
Musette en Rondeau
........................ 170
Le Tambourin
.................................... 173
Rondeau: Les tendres Plaintes
.......................... 175
Les Niais de Sologne ........................
178
Les Soupirs ........................................ 188
Rondeau: Les
Tourbillons .................................. 192 |
